![]() ![]() So I am immersed in One Piece, and my kids were so excited when I got this show. He read every book in Japanese, learned Japanese, dressed up like Luffy every year for Halloween, and now has a tattoo of Trafalgar Law on his chest. To make a long story short, my older son was addicted to One Piece, so I grew up as a parent watching probably 900 episodes of the show. WHITAKER: Yes, I was just telling someone else about this. Had you had any prior exposure to the manga or the anime before singing on? ![]() We shot the finale together for that show, and we just had an amazing time working together, had a real bond as filmmakers, and when he was approached about doing One Piece, he reached out to me to shoot it for him. NICOLE WHITAKER: I had worked with the director on another project called Jupiter's Legacy. She also talks about having special mini-lenses built for the Netflix series, the process of jumping between genres, and why Buggy the Clown is her favorite character to film.ĬOLLIDER: What is it that drew you to the project? Her works are represented in private and public collections both nationally and internationally, including AGNSW, Parliament House Art Collection, Artbank, Penrith Regional Gallery, MAMA, National Art School, Korean Art Foundation, Grafton Regional Gallery, Grace Cossington Smith Colllection, Blacktown City Art Collection, and the Kedumba Collection of Australian Drawings.In this one-on-one interview with Collider's Arezou Amin, Whitaker talks about her history with the One Piece franchise and what it felt like taking on a project with so much expectation attached. She has received numerous awards and commendations, with exhibition highlights including Dobell Australian Drawing Biennale, the Dobell Prize for Drawing the Kedumba Drawing Award the Adelaide Perry Prize for Drawing and JADA. Highlights include the British Scool at Rome, Cité des Arts, Paris, Scuola International di Grafica, Venice, Bundanon, Grafton Regional Gallery, Bilpin international ground for creative initiatives and Parramatta Artist Studios. With works represented in many collections including the AGNSW, Parliament House Art Collection, Artbank, National Art School, Korean Art Foundation, MAMA and the Kedumba Collection of Australian Drawings.Īrtist residencies and grants have taken O’Donnell across Australia and Internationally. Exhibition highlights including Dobell Australian Drawing Biennale, the Dobell Prize for Drawing the Kedumba Drawing Award the Trinity Buoys Wharfs drawing Prize, the Adelaide Perry Prize for Drawing and JADA. She exhibits widely and is represented in both public and private collections. She holds a MFA (Drawing) from NAS and a BFA (Distinction and Deans Medal) from UWS. Please wear flat, comfortable shoes - your feet will thank you! If you have any concerns about the intensity of the tour please contact our Tourism Reservations team on 02 9250 7250 or O’Donnell 29 October & 26 November 2023Ĭatherine O’Donnell’s art practice focuses on the urban landscape, representing the commonly overlooked dwellings of Sydney suburbia in an abstracted form. This walking tour will visit various spaces throughout the Sydney Opera House and will include around 300 stairs. We highly recommend bringing sunscreen, a water bottle and wearing a hat. Our Welcome Team will be around to help direct you. The tour will meet at the Welcome Centre located on the Lower Concourse. Participants must provide their own sketchbooks and materials from a suggested list by our art teacher (this will be emailed to you upon registration). ![]() Please dress for the weather as we will be working outdoors. The Opera House is committed to the safety and wellbeing of children that visit or engage with us. There will be moments to stop and sit during drawing activities to get your rest. Please note that the tour route includes indoor and outdoor spaces across the Opera House, so there is a fair bit of walking up and down stairs. Come solo, with a group of friends or a family member. This class is for all ages and skill levels, from beginners to experienced. Recommended for all ages and all skill levels. The duration of this event is 75 minutes.
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